Visit the Haus der Kunst in Munich. Do it. Go for the Anish Kapoor exhibit but stay for Robin Rhode!
I recognized Rhode's work from a deliberate pilgrimage to the MOMA last October. His show at the Haus der Kunst "Walk Off" was a special treat because his aesthetic really starts coming through after seeing several pieces. Rhodes work is rooted in performance but finished pieces take the shape of film, photo, drawing and sculpture. Rhode draws objects on flat surfaces and films or photographs figures interacting with these objects. The end result ranges in its emotive capacity. At surface level there is evidence of curiosity and play. As the skits progress heavier implications are born. A wall of photographs describes colorful figures interacting violently. One frame shows a figure tossing a brick, the next shows the object colliding into another figure's head.
Rhode developed his medium from juvenile initiation rights he experienced in elementary school. Rhode said that older boys would draw an object on a bathroom wall and bully younger boys into interacting with the false object for comical effect. Other pieces evoke sincere beauty and emotion. One work involves a dancer using his body to unite a drawng of two trees. The dance deliciously describes the violin audio that accompanies the work.
I particularly favor this and other German Museums for their commitment to explanations. You'll find detailed descriptions of teh artists intentions in both German and English.
http://www.hausderkunst.de/
I recognized Rhode's work from a deliberate pilgrimage to the MOMA last October. His show at the Haus der Kunst "Walk Off" was a special treat because his aesthetic really starts coming through after seeing several pieces. Rhodes work is rooted in performance but finished pieces take the shape of film, photo, drawing and sculpture. Rhode draws objects on flat surfaces and films or photographs figures interacting with these objects. The end result ranges in its emotive capacity. At surface level there is evidence of curiosity and play. As the skits progress heavier implications are born. A wall of photographs describes colorful figures interacting violently. One frame shows a figure tossing a brick, the next shows the object colliding into another figure's head.
Rhode developed his medium from juvenile initiation rights he experienced in elementary school. Rhode said that older boys would draw an object on a bathroom wall and bully younger boys into interacting with the false object for comical effect. Other pieces evoke sincere beauty and emotion. One work involves a dancer using his body to unite a drawng of two trees. The dance deliciously describes the violin audio that accompanies the work.
I particularly favor this and other German Museums for their commitment to explanations. You'll find detailed descriptions of teh artists intentions in both German and English.
http://www.hausderkunst.de/